Wednesday, October 15, 2008
Fleetwood Mac - The Early Years
Fleetwood Mac
Enjoy
Friday, January 25, 2008
Sandy Mary
Sandy Mary
Peter wrote this for his girlfriend of the time.
Saturday, November 10, 2007
Black Magic Woman
Black Magic Woman
Green was, in my opinion just by listening, a big influence on Santana's playing. It's most evident on Green's The Supernatural.
Monday, October 22, 2007
Fleetwood Mac - Homework (live in France, 1968)
I love finding these old clips. Peter Green is in fine form. This is from before the drugs and psychological problems started to take their toll. Danny Kirwan looks like he is on another plane of existance. Everybody looks pretty into it and happy to be there.
Saturday, May 26, 2007
Strange Brew
This book was inspired by an idea to un-cover the last corner of Eric Clapton's career. Specifically the time period between 1965 and 1970. It is done in a day by day, year by year format detailing performance dates, recording dates and press interviews and releases.
It is fascinating to trace the history as it unfolds. The author, Christopher Hjort, has done a lot of research and pieced it together with his own assumptions when evidence was not available. By this I mean some things documented are placed in likely order based on events before or after.
A lot of players wander through this history but it is mainly focused on Eric, Peter Green and Mick Taylor and the various groups they were in. But it's not just the history, the photographs are impressive as well. The book opens with a shot of Eric Clapton crouched beside two Marshall stacks with an original 'burst. I don't know enough about Clapton's early career to say if it's the "Beano" burst but I have read comments in interviews with him that he could never find another that suited him, and therefore never replaced it.
This book is just a great read for fans of the players and the period.
Wednesday, March 21, 2007
Monday, March 12, 2007
Sunday, February 18, 2007
More Peter Green
All the cuts seem to be live off the floor. I find the music I enjoy the most is done that way. Over the last few years ( well, ten if I have to tell the truth)I have found a liking for live recordings. There's just something about the energy and spontaneity in the performance. Of course you have to have a band that can jam, like Zeppelin or Allman Brothers, to really make it worthwhile. It doesn't work with groups that just play the song as it was recorded.
Here's a clip: My Heart Beat Like a Hammer
Enjoy
Tuesday, February 6, 2007
Tune for a Tuesday
But enough of that. It is damn cold where I am. Something like -14C for tonight and the house is so dry I could burst into flames. So why not have a tune for a cold Tuesday.
Another Peter Green cut: Greeny
Cheers
Monday, January 22, 2007
Tune for a Monday
The Supernatural
Friday, January 19, 2007
Fleetwood Mac Albatross
Great tone and great playing. It is hard to see if this is live or not. Right when they pan in at the beginning you can see the cords going offstage so it looks like they are plugged in. They don't seem to be synching as I haven't noticed any out of place moves. If it's live then they're having a good time.
Peter is playing his '59 'burst which he later sold to Gary Moore. You can see quite clearly the difference in fade from the one Green is playing and the one Jeremy Spencer ( or it might be Danny Kirwan, I can't tell which) is playing. You know, the more I look at it the more I think that's Danny with the other burst.
This post took three days to show up from Youtube, so I deleted the earlier one and kept this one.
